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Gotta
Play by Brian Jackson
Reviewed by Chris Mann
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Brooklyn-born
producer, composer, and musician Brian Jackson collaborated with Gil
Scott-Heron on the album which spawned that single: Winter in
America and on several other albums including From South Africa to
South Carolina from which their most commercially successful single
Johannesburg was taken. Since
that time, Jackson has worked with Kool and the Gang , George Benson,
Janis Seigel of Manhattan Transfer and Will Downing, whose self-titled
first album, produced by Will and Brian, went gold in the United Kingdom
in eight weeks. Gotta
Play is the first album he has released as a solo artist I
couldnt wait to hear it
From
the opening bars of the title track, Im hearing voices from the past
and theyre voices that still matter.
I hear a background synthesizer wash that is an echo of all I
loved about 70s jazz and soul. I
hear Roy Ayers gruff vocal and totally unique vibes.
Brian Jacksons lead keyboard has a real Dukey Stick
thing going on and I love everything about this song from its lazy
rhythm to David Mullens increasingly frenetic sax! Kama
Sutra is a funky keyboard-driven track with exotic synth sounds
and a bassline and percussion which I can only describe as insane.
The piano solo on this track is as energetic as anything Ive
heard Herbie Hancock play. David
Mullens solo is a wild one youll have to hang on for the
mellow fade with its lovely vocal chant and that flute. I
expect radio to pick up on Moody Too in a
big way. The dukey
keyboard is back to super-sexy effect and bassist Don Martin and drummer
Trevor Holder do a lovely subtle job on this song.
They co-wrote this song with Jackson as they did the majority
of songs on this CD. Feelin
U is a mid-paced soul tune with a smack-bang-up-to-the-minute
tight bass and drum groove. I
love the choppy rhythm guitar, and the vocal from co-writer Num
Amuntehu is very strong. Theres
more lazy urban groove on Free 4 Fall.
The soul harmonies set the tone for a beautiful, piano-led
melody. Dreamy bass and
deft rimshots keep this moving sweetly and after three-and-a-half
minutes, I still wanted more. Utterly
gorgeous!! Somehow,
you know, its right that Gil Scott-Herons deep, rich voice should
be heard on the rap which opens his own Home is
Where the Hatred Is. This
modern take on this classic 70s song features a superb lead vocal
from Brian Jackson. Listening to it, I think how timeless a song this good can
be. Oh
Lord, Im in Blue Note heaven when Yada Yada
begins! The vocal harmony,
staccato piano, whisper-soft rhythm guitar and those chords.
Brian Jackson is one heck of a soulful piano player one
listen to this track tells you all you need to know.
Yes, this is my favourite rewind! An
unexpectedly grandiose piano intro leads into a laid-back but funky
cover of the Gap Bands Outstanding.
Num Amuntehu is on the mike Ayers is on vibes the
groove is right. What more
do you want? The
groove is right on Delushuss too.
Don Martins fluid bass drives this mid-paced smoothie. That lead synth sound takes some getting used to but,
hey, that piano is pure gold. Nums
Interlude gives us a chance to hear the percussion talents of Num
Amuntehu. Its the
kind of ethnic vibe that New Age fans lap up and I love it.
I keep waiting for the white tigers to show up
I
like the shifting styles in Fresca Girl.
It starts out with piano/vocal scatting in the Joe McBride vein
but when it moves to the solo, the sound hardens up and Im thinking
of John Beasleys audacious compositions then were back to the
funk, the scatting and I just think Brian Jackson is a strong writer and
a versatile player. This is
classy, confident music. Me?
I love it. The
radio edit of Feelin U was great, and too
short. The bonus long
version is giving you to paraphrase George Clinton more of
what youre funkin for. Greedy
folks like me will be happy. Two
main thoughts hit me when I listen to Gotta
Play: man, where have you been?
Its obvious from the inlay that hes been living life,
learning and reassessing like all of us. The
second thought is: on your next album (please make it soon) you could do
anything crazy funk, smooth jazz, inspiration soul anything! Roberts
Music Group RMG 1018 producers Brian Jackson, Trevor Holder and Don
Martin
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