Jazz flautist and
Latin Grammy Award winner Nestor Torres has been captivating audiences
with his sensual mix of Latin, jazz and pop sounds for more than
fifteen years. Blessed with handsome features, a warm smile and a
charismatic demeanor, this remarkable virtuoso has earned a devoted
following. By transforming the flute’s role in the contemporary
musical landscape, Torres has practically established a new genre of
Torres began the long
recovery process and released Dance of the Phoenix in 1990. In 1994,
he recorded Burning Whispers for Sony. His Latin-jazz composition “
Luna Latina” was nominated in 2000 for a Latin Grammy. A year later,
he won a Latin Grammy for This Side of Paradise, a bittersweet victory
given the terrorist attacks in New York and Washington at the time.
Torres was born in Mayaguez, Puerto Rico, in 1957. He took flute
lessons at age 12 and began formal studies at the Escuela Libre de Música,
eventually attending Puerto Rico’s Inter-American University. At 18,
he moved to New York with his family. “That’s where I first
developed my improvisational skills as a charanga (Cuban dance music)
flutist,” he says. “In charanga, the flutist improvises a great
deal — the focus of his solos are to make people dance. Even when I
play today, my approach is still very rhythmic and melodic.”
Torres went on to study both jazz and classical music at the Mannes
School of Music in New York and the New England Conservatory of Music
in Boston, among other places.
He moved to Miami in 1981, and signed with PolyGram, where he released
Morning Ride in 1989. His major label debut climbed quickly to the top
of the Billboard Contemporary Jazz charts and soon brought him
widespread acclaim. Tragedy struck a year later when an accident in a
celebrity boat race left him with eighteen fractured ribs, two broken
clavicles and a collapsed lung. His record company dropped him, he and
his wife divorced, and his home was nearly repossessed.
A longtime practitioner of Nichiren Buddhism — a branch of Buddhism
with roots in 13th-century Japan — Torres says the ordeal “taught
me that no matter how difficult and hopeless my situation seemed, my
life was fine. It was not about ‘Why me?’ but rather ‘Okay, this
is what I must deal with and overcome now…so let’s go!’”
An outpouring of sympathy followed from the South Florida community,
including a benefit concert staged by a local radio station and
individuals who stepped forward with money to save Torres’ home.
“An appreciation for life and a realization that we are all
interconnected is the greatest legacy of that experience,” he says.
“I also learned firsthand about the value of the people behind the
scenes — the nurses, my family and friends, and especially my fans.
Were it not for them, I would not have been able to overcome this
“Of course it
was a great honor and privilege to win the Grammy,” Torres reflects.
“That being said, the fact that I was to receive it on 9/11 gave my
work and my music a stronger sense of mission and purpose. Terrorism
and violence come from ignorance, anger, arrogance and hopelessness.
Music and culture inspire and empower; they soothe the human heart and
enlighten the spirit. I have made it my prime point to create music
and live my life as an artist and a human being in a way that does
Mi Alma Latina: My Latin Soul, a compilation of Latin standards that
proves he’s still in touch with his heritage, was released in 2002.
Torres’ Heads Up debut, Sin Palabras (Without Words), set for
release in March 2004, features a re-working of the Latin classic
“Contigo Apprendí,” the Alejando Sanz hit “Regalame La Silla
Donde Te Espere,” and nine original tunes. In addition to Torres’
fine musicianship, the album features a number of talented producers,
including James Lloyd (from Pieces of a Dream) on seven tracks, Carlo
Pennisi from Miami and Jimmy Haslip (of Yellowjackets).
“Carlo has a very fresh sound and a European sensitivity that
appeals to me a great deal,” Torres says. “Jimmy, Danny and Baby
Boy are a unique writing team with an impressive and impeccable pop
music approach. James Lloyd is a master. His work with Pieces of a
Dream has consistently been on top of the charts. Plus, he’s a great
producer and a lot fun to be around.”
Torres has worked with everyone from Tito Puente to Gloria Estefan and
many contemporary jazz greats. He still performs at benefit concerts
all over the world, but especially in his adopted hometown of Miami.
Recently, he returned to the Escuela Libre de Música in Puerto Rico
as a judge at their first juried music competition. And he still gives
master classes to students.
“These types of activities are wonderfully rewarding and fulfilling,”
Torres says. “I enjoy people, I enjoy serving and consider it a
blessing to be able to make a difference.”
Nestor Torres’ playing has truly brought a welcome vitality to the
music scene, and his flute voice is truly one of relentless optimism