Having exploded from a small underground street-jazz sound in Chicago, The Liquid Soul universe has been expanding at a dizzying pace. The Chicago ensemble's trademark mixture of jazz and urban dance music has virtually outgrown the term "acid jazz," incorporating everything from hard-bop to hip-hop in their celebrated sound. Down Beat magazine says Liquid Soul "sweeps the mold and mildew out of jazz-funk and breathes it back to glorious life." With a marathon touring schedule that has included everything from performing at the Presidential Inaugural Parade to headlining the first acid-jazz performance at the Newport Jazz Festival, Liquid Soul has evolved into an intuitively tight outfit that knows no stylistic limitations. The amalgamation of genres created by the 10-piece collective is a blend of pure musicianship, a fiercely passionate fire and the inherent fun of a pure dance groove. The result is a unique live music experience that draws a diverse legion of fans, spanning across multiple age and ethnic groups.

In 1994, saxophonist Mars Williams and Liquid Soul were at the forefront of a surging acid-jazz movement in the greater Midwest. Evolving from free-form hip-hop jams, the band coalesced spontaneously and soon found a home every Sunday night at Chicago's Elbo Room. Word spread fast, attracting like-minded individuals to the small stage from far and wide. Thanks to these auspicious midnight marathons, Liquid Soul soon solidified into a steady working unit.

The group quickly morphed well beyond their improv-oriented acid jazz beginnings, and their do-it-yourself debut ("Liquid Soul") was quickly picked up and distributed by Ark 21 Records. The band was thrust further into the limelight after a much publicized gig at Dennis Rodman's birthday party. They relocated their perennial Sunday night show to the Double Door in Wicker Park and held it for almost four years (Feb. 1996 to Dec. 1999), rarely missing a Sunday even while playing nearly 200 gigs a year throughout the United States and Canada. Along the way, the band has gone on to both critical and national acclaim. They have opened for Sting, played at the Inaugural Parade and 21st Century Ball, and twice rocked the South By Southwest Music Festival, heralded by the Austin American-Statesman as "the single hottest showcase of the festival." They've also performed in Germany, Turkey and Japan. And they recorded two more critically acclaimed CDs, "Make Some Noise" (Ark 21, 1998) and "Here’s the Deal" (Shanachie, 2000).

Live or in the studio, playing it hard or smooth, Liquid Soul is a fiery concoction of classy soloists, heavy rhythm merchants and hip-hop cognoscenti. They are in a group that thrives on contact with their audience. One cannot help being moved by Liquid Soul’s ongoing party philosophy. The band’s in-the-tradition repertoire extends from classic compositions by Ornette Coleman and Miles Davis to excursions on the latest breakbeats and mad samples. They continue to bridge the musical gap between standard jazz improvisation and urban rhythm. And as always, the band stays true to its roots with a continued philosophy of bringing jazz back to the dance floor.