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New
Reviews in Starportrait |
The title and cover
photo of his new album already signal it, Mike
Levine's Just Chillin (2021) is for
relaxation. After his albums From The Heart
(2006), Thinking Of You (2011)
and Star Gazing (2017) is this project his
fourth album.
[ more]
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New Reviews in First View |
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Since
my review about Lincoln Adler's album
Grateful ten years have passed. A period that
changes people and sometimes also their music. Of course,
one cannot shed one's past like a cloak. Experiences,
abilities, influences, origins continue to shape you. But
one can try to renew oneself. In case of saxophonist Lincoln
Adler, this attempt is called Tabula Rasa.
[more]
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New Reviews in Flashback |
Saxophonist,
composer, arranger Fulvio Palese studied saxophone at the
Conservatory of Lecce and is a PhD in philosophy at the University
of Salento. He is currently professor of jazz saxophone at the "T.
Schipa" Conservatory of Lecce, teacher of saxophone at the Liceo
Musicale "G. Palmieri" of Lecce, and at the DAMUS Academy of Lecce
and the comprehensive "I. Calvino "di Alliste and teacher of
improvisation and jazz ensemble music at the" Amici della musica
"Association of Presicce.
[more]
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In Focus - New Impressions |
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Hailing from South Africa Karén Devroop
finished his studies in Texas, USA. After his
return to SA he is now Artistic Director of Music
Competitions at Unisa - The University of South
Africa, Acting Director of Music at University of
South Africa (UNISA) Music Foundation and
Director, on the School of Music at NWU -
North-West University and lives in Pretoria.
[more] |
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New
Reviews in Woodrow Wilkins' The Jazz Writer |
For something a little different, give a listen to
pianist Isamu McGregor’s Resonance (Ghost
Note Records, 2017). The music moves from
breathtaking to symphonic to placid to
hard-charging.
[more]
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Elegy For Dave Samuels |
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Morning Dance
That opening riff. Hear that, and you know what's coming.
[more]
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New Reviews in Chris Mann's Diggin'
Deeper |
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If you have been a fan of British jazz-funk and soul music for more than twenty years, you’ll know Shakatak. And if you know Shakatak, you’ll know George Anderson – he’s been holding down the low end since the early 80’s.
[more] |
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